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Press

Here Find You Press releases and free of charge Press photos to the Project.

With pleasure offer we you also interviews with Edith Raim and Wolfgang Hauck, as well as Guided tours through the exhibition on.
For questions contact you us please.

Press contact

Wolfgang Hauck: +49 171 947 11 01

Katharina Erlenwein: presse@dasLabyrinth.org

Download press photos

We have compiled press photos for press coverage:

  • Logo of the project
  • Portrait Dr. Edith Raim and Wolfgang Hauck
  • Photographs of the exhibition with visitors in the “Labyrinth”
  • Works of art by Wolfgang Hauck

We are constantly adding to the images and providing updated photos.

You will find the photographer’s name as the source in the file name.

Download press release

Download announcement for event calendar

Texts of the press releases October 31, 2024 Panel discussion

Closing panel for the exhibition The Labyrinth – 100 years of imprisonment in Landsberg am Lech

At the end of the exhibition “The Labyrinth – 100 Years of Detention”, Dr. Edith Raim and Wolfgang Hauck invite you to a panel discussion in Landsberg am Lech on November 8, 2024, which will focus on the importance of public history education and an active culture of remembrance. The anniversary on 8 November will also provide an opportunity to discuss the need for new forms of mediation in a historical context.


Landsberg am Lech: Dr. Edith Raim and Wolfgang Hauck invite you to an exciting panel discussion on Friday, November 8, 2024, which will mark the end of the exhibition “The Labyrinth – 100 Years of Detention”.

The event is dedicated to the public communication of history and examines the impact and sustainability of new forms of communication in public spaces. “The exhibition ‘The Labyrinth’ has received a convincing response. Schools are enthusiastic, and university experts also praise the open format and the visual design with AI. In view of the 100th anniversary of the Hitler-Ludendorff Putsch, the exhibition offers an insightful look back at the exhibition and the importance of an active culture of remembrance,” say the organizers.

Dr. Edith Raim, historian at the University of Augsburg, and Wolfgang Hauck, designer and project manager of the exhibition, will moderate the discussion. Together with other participants, they will discuss under the motto: “Communicating history needs public space”. They will also report on the many responses and comments from a wide range of visitor groups and present the evaluation of the visitor survey with outstanding results.

Be part of this important discussion and contribute to actively shaping the culture of remembrance in the Landsberg district!


Press photos:
We have made some press photos from the exhibition available for you to download in an order: You will find a small and reduced preview in the appendix.
https://www.dropbox.com/scl/fo/xe471tz1twsp3mog2gkqe/AENOiCL4URpzKoXvWxOmgac?rlkey=lg46jdr0gbqiv7s0znr5d3tr2&dl=0

Images by Wolfgang Hauck with AI support:
The shot
Hitler speaks in the Bürgerbräukeller on 8.11.1923.
The womb is still fertile

DATA

  • Date: Friday, November 8, 2024
  • 18:00 – 20:00 Panel discussion
  • 20:00 – 22:00 (optional dinner together to deepen the topics)
  • Location: Waitzinger restaurant, Waitzinger Wiese 2, 86899 Landsberg am Lech
  • Admission is free
  • Registration is required due to limited seating.
    Please register at info@DasLabyrinth.org, by telephone on +49 152 266 303 03 or via the website www.DasLabyrinth.org.

FUNDING
Bavarian State Ministry of Science and the Arts, Kulturfonds Bayern, Heinz-Heinrich-Martin-Stiftung, Historische Verein Landsberg am Lech, dieKunstBauStelle e.V., Sparkassenstiftung Landsberg am Lech, Stadt Landsberg am Lech, Deutsche Stiftung für Engagement und Ehrenamt (DSEE)

Texts of the press releases August 28, 2024

Innovative exhibition in Landsberg am Lech:
100 years of Hitler’s imprisonment in a fortress

“The Labyrinth”: A performative open-air show presents history up close

On the 100.
The exhibition “The Labyrinth” opens in Landsberg am Lech to mark the 100th anniversary of Hitler’s release from prison.
It offers a 10,000 square metre walk-in installation that sheds light on the radicalization and mistakes of society at the time.
Historian Dr Edith Raim and artist Wolfgang Hauck create an open space for discourse that reinterprets the history of National Socialism and encourages reflection on today’s radicalization.


PRESS TEXT

TEXT (1500 characters)

Landsberg am Lech – On the 100.
On the centenary of Hitler’s release from prison in Landsberg am Lech, the exhibition “The Labyrinth” opens 300 meters from his cell.
On 10,000 square metres, a walk-through installation sheds light on the radicalization and misguided developments in society during the Weimar Republic that ultimately led to Hitler’s rise.
Historian Edith Raim and artist Wolfgang Hauck have created a literally open space for discourse that reinterprets the history of National Socialism and encourages reflection on today’s radicalization.
“The Labyrinth” makes this physically tangible with images, texts and other media.
The open-air exhibition can be visited free of charge until October 13, 2024.
It is accompanied by further documents in the BayernHistoryApp, which is also free of charge.

Wolfgang Hauck has used AI to create visual worlds for the walk-through history trail and Edith Raim has contributed a wide range of source material to illustrate the political and social events.
The production stands for openness and the roles we all play in democracy.
For the installation, Raim has focused in particular on the special situation in Bavaria in the 1920s.
“Hitler’s rise until 1923 would not have been possible anywhere else but in Munich.
The Hitler-Ludendorff putsch is inextricably linked to the Bavarian balance of power,” says Raim.

DATA

  • Duration: September 6 to October 13, 2024
  • Opening hours: daily from 10 a.m. to 7 p.m.
  • Admission: free of charge
  • Location: Waitzinger Wiese, 86899 Landsberg am Lech
  • Website: www.daslaybrinth.org

FUNDING
Bavarian State Ministry of Science and the Arts, Kulturfonds Bayern, Heinz-Heinrich-Martin-Stiftung, Historische Verein Landsberg am Lech, dieKunstBauStelle e.V., Sparkassenstiftung Landsberg am Lech, Stadt Landsberg am Lech, Deutsche Stiftung für Engagement und Ehrenamt (DSEE)

PRESS TEXT 

TEXT (4000 characters)

Landsberg am Lech – The innovative exhibition “The Labyrinth – 100 years of Hitler’s imprisonment” marks the 100th anniversary of Adolf Hitler’s release from prison in Landsberg. On the 100th anniversary of Adolf Hitler’s release from the prison in Landsberg on December 20, 1924, the innovative exhibition “The Labyrinth – 100 Years of Hitler’s Detention” presents a new perspective on the history of National Socialism. A 10,000 square meter walk-in installation has been set up on Waitzinger Wiese in Landsberg am Lech. It focuses on the prehistory of the Hitler putsch in Munich in 1923, the trial and Hitler’s time in prison as well as the subsequent reorganization of his political movement from Bavaria.

Hitler’s imprisonment was preceded by the attempted coup on November 8, 1923 in Munich’s Bürgerbräu brewery. After its suppression, the future dictator was arrested in Utting am Staffelsee and taken into custody in Landsberg. The remarkably lenient sentence of five years’ imprisonment for high treason in April 1924 was also carried out in Landsberg.  

Thanks to Hitler’s presence, Landsberg became the third most important town for the NSDAP and its supporters after Munich and Nuremberg. After the seizure of power in 1933, it became a place of pilgrimage for the Hitler Youth. Landsberg’s proximity to the Kaufering subcamp also makes it an important location for the historical exhibition on the prehistory of Nazi rule.

Contemporary history education

“The Labyrinth – 100 Years of Hitler’s Detention” is an innovative way for everyone to interactively explore the history of National Socialism and radicalization. Wolfgang Hauck, designer and initiator of the exhibition, emphasizes: “Contemporary history education must offer more than museum presentations, factual source management and standardized interpretations. It needs open spaces for discourse that enable a dynamic and lively approach to history.”

The expansive installation, designed by historian Edith Raim with Wolfgang Hauck, shows the errors and aberrations of the time. The exhibition not only looks at the historical background, in particular the question of why Bavaria was predestined for radicalization at that time, but also shows where society, the judiciary and politics made mistakes and failed to defend the young democracy from today’s perspective.

Edith Raim explains: “I was particularly interested in why Hitler was so successful in Bavaria in the years leading up to 1923. Hitler’s rise until 1923 would not have been possible anywhere else but in Munich. The Hitler-Ludendorff Putsch is inextricably linked to the Bavarian balance of power. Bavaria was de facto transformed into a dictatorship by Gustav von Kahr’s General State Commissariat, and not only Hitler but also Kahr planned the putsch against the Reich.” The two have deliberately chosen a low-threshold and immersive form of communication: “An exhibition project like this provides space for quotes from diaries or memories, for documents, caricatures or photographs. This enables a deep immersion into the dramatic events of a hundred years ago.”

Hauck adds: “This exhibition is also a warning and shows how quickly democratic understanding can break down under conditions of war and crisis. This means that the issue of radicalization in our time is not over, but requires particular vigilance.”

The exhibition offers new perspectives that aim to break through and expand the iconized tradition of history in black and white images. Stylistic models by Georg Grosz, Otto Dix, Käthe Kollwitz and Paul Klee serve this purpose, as do literary models by Stefan Zweig, Hans Fallada and Ödön von Horvath. Their work and observations are redeveloped with the help of artificial intelligence and transferred to the present day.

The project is funded by the Bavarian State Ministry of Science and the Arts, the Bavarian Cultural Fund, the District of Upper Bavaria, the Sparkassenstiftung Landsberg am Lech, the dieKunstBauStelle e.V. association, the Historischer Verein Landsberg am Lech, the Hans-Heinrich-Martin-Stiftung and the town of Landsberg am Lech.